Since its premiere in 2000, individual movements from Jenkins’ The Armed Man have often found a place in worship. Now available separately are the final three pages of the last movement, a moving, unaccompanied setting of Revelation 21.4, ‘God shall wipe away all tears’. Below a simple chorale-like melody, altos and tenors become increasingly elaborate, while basses remind us of the rising fourth that starts the L’homme armé theme.