These vocal canons, three by Willaert (Petite camusette, Jayme bien mon amy and Mon petit cueur) and the anonymous Jay ung mari qui est bon homme, are from a collection published in Venice by Andrea Antico (our illustrious predecessor!) in 1520. For solo voices (ATTB or SAAT) or for a balanced instrumental consort, these pieces embody the renaissance principle that art should conceal art, hiding their ingenuity under a cloak of light-hearted spontaneity. i + 9 pages.