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MacDonald: Crux fidelis for SATB Choir

MacDonald: Crux fidelis for SATB Choir

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Choral leaflet

£2.50

Publisher: Multitude of Voyces
ISBN: MOVSEAMCF

An advocate for women’s sacred music, MacDonald has contributed several works to Multitude of Voyces’ catalogue: Crux fidelis was especially composed for the charity’s anthology of Sacred Music by Women Composers Volume 1. MacDonald uses the Latin phrase ‘Faithful Cross’ as a meditative refrain; by contrast the narrative words of Emily Dickinson and Emilia Lanier tell the story of the cross more literally, from the point of view of the faithful thief, and of an observer. Singers should observe the rests accurately, even when they occur in the middle of sentences, since that reflects Dickinson’s own idiosyncratic and unconventional syntax, as she attempts – hesitatingly – to discern truth.

Sarah MacDonald

Sarah  MacDonald is a Canadian-born organist, conductor and composer, currently  living in the UK, where she is a Fellow and Director of Music at Selwyn College, Cambridge, and 

Director of the Girl Choristers at Ely Cathedral. She has been at Selwyn since 1999, and is the first woman to hold such a post in an Oxbridge chapel. MacDonald studied at Toronto's 

Glenn Gould School and at Cambridge University; her teachers were Leon Fleisher, Marek Jablonski, John Tuttle, and David Sanger. 

  

MacDonald has performed across the UK, North America, the Middle East, and mainland Europe, and is in demand internationally as a conductor, organist, and teacher. She has 

made over 35 commercial recordings and has over 60 published works for choir and organ. 

She holds the Fellowship diploma of the Royal College of Organists, and writes a popular monthly column for the American Guild of Organists' magazine, The American Organist. 

Her first solo disc, a recording of Bach’s Goldberg Variations performed on the Steinway-D piano in Ely Cathedral was released in May 2024. 

  

In 2018 MacDonald received the honorary ARSCM (Associate of the Royal School of Church Music) in recognition of her contribution to choral music.  Sarah took up the office of 

President of the Royal College of Organists in July 2024. She is an Honorary Patron of the Herbert Howells Society, a Patron of the Society of Women Organists, and President of the School Organists’ Association. She was appointed University Organist at Cambridge in 2022, and is the first woman to hold that prestigious ceremonial role, which dates back to 

1670.